Saturday, 17 October 2015

"The Worst Movie Ever Made" The Room and my thoughts on cult cinema

I owe an apology to everyone since I haven't posted here in some time; it's been a hectic month at work, volunteering for the federal election (Vote Green!) and it wasn't until I needed to take a three hour bus trip down to Calgary that there was some sort of dedicated writing time. After Monday I'll be a able to treat you to more and longer posts. With that said, here we go! 

A few weeks ago, the local alternative cinema here in Edmonton held a screening of The Room; supposedly the worst film ever made but one that has built up an intense and very dedicated cult following.

Prior to walking into the theatre, I had honestly not heard anything at all about the film and from the moment I saw a box of plastic spoons for sale at the box office, I could tell that I was about to take part in a unique cultural experience. From the opening credits onwards, not only were we treated to a poorly plotted, badly acted, unintentionally hilarious piece of film; the actions of fellow audience members were as entertaining as the movie. Just as in Rocky Horror, everyone knew exactly when to throw piles of plastic spoons at the screen (for your information; whenever one of the many framed pictures of a spoon is shown in the film), which corrections to shout whenever a plot hole is in evidence or exactly how to make fun of the movie's odd choice of music. I felt like I was being initiated into a new religion, as opposed to just laughing at a bad movie.



I won't bore you with the overall plot details, which are mostly irrelevant at any rate. The movie is supposed to be an epic romantic drama; which it utterly fails at achieving. If you want a synopsis, there are a number of clips up on Youtube which do a far better job of this than I could do on a blog page. When thinking of The Room, I'm far more interested in why such a 'bad' film continues to gain a cult following; especially given that most of the audience on the night I attended would have been children when it was released in 2003.

Personally, while I still watch and greatly enjoy much of what "mainstream Hollywood" produces and am not claiming to be some sort of film hipster; the formulaic storytelling that we are increasingly subjected to at the local multiplex can get tiresome. Really think hard about Furious 7 and why on earth such a movie needed to be released in the first place. Seven of them? Really? How many times can street racing save the world anyway?

The endless parade of mindless sequels (with their months of hype and ubiquitous merchandise) can be quite depressing and the chance to break the mold, watch something completely different and take part in a group ritual activity so separate from what you experience when going to a 'normal' movie theatre goes a long way to explaining why screenings of cult movies such as The Room are frequently sold out.

These reasons, especially the chance to take part in a group ritual, also ring true to me as explanations for the popularity of other cult films, such as the Rocky Horror Picture Show. When attending a public showing of one of these movies you feel as if you are part of a larger community, as opposed to sitting in silence absorbing whatever Hollywood wants us to see.

What's more, the only cinemas likely to even consider showing a cult film are likely to be small, independent picture houses and the willingness of young people to support these businesses can also be linked to the Millennial generation's embrace of city life as opposed to cookie cutter, big box corporate experiences. (more on this in a future post)

With all of these things in mind, I feel that the popularity of The Room and similar cult films will only grow in popularity, especially as people desire increasingly to build new sources of community, support independent business and expand their film tastes. Instead of dismissing the cult film phenomenon as just another form of 'ironic' humour enjoyed by modern young people; instead we can see it as the very modest beginnings of a major cultural movement. 








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